Nefertari the beautiful beloved queen

Nefertari the beautiful beloved queen

Nefertari (c. 1300—1250 BC) was the great royal wives (or principal wife) of Ramesses the Great. Nefertari means beautiful accompaniment and translates the name in different meanings "beloved like no other" or "beautiful beautiful beauties of the world" or it resembles the star, those that appear at the beginning of a new year. Nefertari is one of the most famous Egyptian queens such as Cleopatra, Nefertiti, and Hatshepsut. Ramses the Great decorated the Nefertari Mausoleum QV66 lavishly, the largest and most prominent in the Valley of the Queens.،
Nefertari was the most famous and important wife of King Ramses II, who lived in the era of the nineteenth century in the 13th century BC. Among his other wives, Est Nefert and Matt Nefrore, a Princess of Heaven. The number of his sons was about 90 daughter and son. His children were: Bint Anta, Merit Amun (princesses, wives, and daughters), Stenacht, King Merengetah (who succeeded him) and Prince Khawast. Nefertari gave birth to many children for Ramses, but none of them lived like his father.
Although the background of the Nefertari family is unknown, the discovery of a cemetery 

with a Pharaoh I cartridge has led people to speculate that it was linked to it between the reign of I and Ramses II means that Nefertari could not be the daughter of I and if any relationship existed. At all, they would be a granddaughter. However, there is no conclusive evidence linking Nefertari to the royal family of the 18th dynasty. Nefertari married Ramses II before he ascended the throne. Nefertari knew four Wen sons and two daughters. Her amun, khepeshef, was the eldest crown prince and commander of the forces, and Bariheronev was later served in the army of Ramses II. Prince Maryam was elevated to the post of High Priest of Irrigation in Heliopolis. The inscriptions remember that he was the son of Nefertari. Prince Merri is the fourth son mentioned on the facade of the small temple in Abu Simbel and is believed to be another son of Nefertari. Mert Amun and Hentawi are the royal daughters shown on the front of a small temple in Abu Simbel and are believed to be the daughters of Nefertari

Princesses named Pak (and brother) Mut, Nefertari, and Nebatawi are sometimes suggested as more Nefertari daughters on their alleged presence in Abu Simbel, but there is no definite evidence of this supposed family relationship.

Nefertari sanctified her husband and was not the first to carry this preference. She was preceded by Queen Ahmose-Nefertari, dean of the Eighteenth Dynasty, who was inspired by the ancient Egyptians according to their beliefs, and Queen Nefertari, wife of King Thutmose IV.
Queen Nefertari seems to have descended from Upper Egypt and was a member of a noble family. While Nefertari was the queen, her brother Aminus was a good mayor at the age of thirteen. Nefertari married Ramses, at the age of fifteen, Ramses ascended to the throne, and Nefertari remained the most important wives of the king of eight wives in Upper Egypt for at least the next twenty years. From the 1240s BC, it seems that Nefertari's importance began to diminish.

Abu Simbel
Abu Simbel is an archaeological site located in the belly of the mountain in Nubia south of Aswan. It consists of two major temples carved into the rock. The wife of King Ramses II in 1250 BC. The front facade of the temple consists of four large statues. The king is represented by a height of 67 (20 meters) feet and a door leading to rooms of 180 feet. There are six statues at the entrance to the other temple, four for Ramesses II and two for his wife, Nefertari. The temple of Nefertari, the Queen of Ramesses II, is located north of the great temple of "Abu Simbel" about one hundred and twenty meters

Nefertari Cemetery
The Nefertari Cemetery was discovered in 1904 and has not been open to the public since its discovery until the early 1990s, due to some damage to the inscriptions and decorations due to the deposition of salts. the hole leading to the inside the cemetery it's facing the East. The roof of the cemetery reflects the sky. The night sky, darkening Gmiq, Tressa golden stars. Black color dark unblemished Bzarkh. Unlike the color of the black god Anubis explicit. The tomb is full of inscriptions and live murals, and there is a wall painting depicting the queen playing a chess-like game.

QV66 is the tomb of Nefertari, the great wife of Pharaoh Ramses II, in Egypt's Valley of the Queens. It was discovered by Ernesto Schiavarelli (director of the Egyptian Museum in Turin) in 1904. It is called the Sistine Chapel in Ancient Egypt. Nefertari, which means "beautiful companion", was Ramses' second favorite wife; he went out of his way to explain it, referring to it as "the sun shines" in his writings, built the Temple of Hathor to discourage her as a god, and commissioned portrait wall paintings. In the Canaan Valley, the tomb of Nefertari once embraces and embraces her embalmed body, like most Egyptian tombs. Now, all but two-thirds of the 5,200-square-foot area of ​​the wall has been looted. For the remainder, these frescoes were characterized by Nefertari's character. Her face was given a lot of attention to emphasize her beauty, especially the shape of her eyes, blush, and eyebrows. Some of the paintings were full of red, blue, yellow, and green stripes that depicted great directions to move through the afterlife to paradise.

Decoration and design
The set of steps from the rocks allows access to the waiting room, decorated with paintings based on Chapter 17 of the Book of the Dead. This astronomical roof represents the heavens and is painted in dark blue, with countless golden five-pointed stars. The eastern wall of the hall was interrupted by a large opening surrounded by the representation of Osiris on the left and Anubis on the right; this, in turn, leads to the side chamber, decorated with scenery of presentation, preceded by the paint hall in which the paintings depict Nefertari are presented to the gods they welcome. On the north wall of the waiting room is a staircase descending into the burial chamber. The latter is a large quadruple-shaped room covering an area of ​​about 90 square meters, the astronomical roof of which supports four columns fully covered with decoration. Originally, the sarcophagus of the Red Granite was in the middle of this room. According to the religious beliefs of the time, in this hall, the ancient Egyptians called it the "Golden Hall" in which the dead were renovated. This decorative illustration of the walls in the burial chamber was inspired by chapters 144 and 146 of the Book of the Dead: in the left half of the room, there are passages from chapter 144 concerning the doors and gates of the Kingdom of Osiris and their guardians, and the magic formulas that must be destroyed by the deceased in order to bypass the doors.

The tomb itself focuses primarily on the life of the queen and on her death.

From the wall full of drawings, the Queen of Drafts plays a picture of Nefertari playing Sint. The entire wall was devoted to show the queen while playing, demonstrating the importance of Senet. The explanations led to the emergence of a stolen Senet board game, as well as Nefertari's avatars and other avatars. Perhaps Nefertari was very smart, and perhaps a writer in her life. ^ 4 This can be referred to because there is a painting in the tomb of Nefertari coming before the god of writing and literacy to declare her title as a writer. Nefertari lived an elegant life on earth and also promised another elegant life. Chapter 17 of the Book of the Dead, which tells the talisman of the queen, is listed on the tomb. These spellings are supposed to guide Nefertari on how to switch to Ba, a bird. In order to become a bird in the afterlife, Nefertari promised freedom of movement.

Hanan Ramses showed his wife, as written on the walls of her tomb, clearly that Egyptian queens were not merely a marriage of convenience or marriages designed to accumulate more power and alliances, but in at least some cases, they were centered on some kind of emotional attachment. Ramses' poetry about his dead wife appears on some of the walls of her burial chamber. ("My love is unprecedented - no one competes with her, for her overwhelming beauty, my heart is touched.") He did not recognize Nefertari's origins but believed that she was, although she was the queen of her brother Amenmose, who served as mayor of Thebes.

By contemporary standards, the true value of the drawings inside the tomb is that they are the best-preserved and most detailed source of the ancient Egyptian journey to the afterlife. The cemetery contains many excerpts from the Book of the Dead from chapters 148, 94, 146, 17 and 144 and tells of all the celebrations and tests that have taken place since Nefertari's death until the end of her journey, depicted on the door of her burial chamber, in which Nefertari was reborn and emerged from the eastern horizon. As a sun disk, I was forever immortalized in victory over the world of darkness.

The details of the festivities of the afterlife tell us a lot about the duties and roles of many great and minor gods during the 19th Dynasty in the New Kingdom. The gods mentioned on the walls of the tombs include Isis, Osiris, Anubis, Hathor, Nith, Stolen, Maat, Wajit, Nakhbit, Amunet, Ra, and Nephthys.

Unfortunately, by the time Chiaparelli discovered the tomb of Nefertari, it had already been found by the invaders of the tombs, who stole all the buried treasure with the queen, including her coffin and mummy. They found parts of the mummy knees in the burial chamber and were sent to the Egyptian Museum in Turin by Schiaparelli, where they are still held today.

The cemetery was closed to the public in 1950 due to many problems that threatened the paintings, which are considered the best-preserved and most eloquent decorations in any Egyptian burial site. Discover paintings on almost every available surface, including several thousand stars painted on the roof of the burial chamber against a blue background to represent the sky.

After the discovery of the tomb, scientists found deterioration in many paintings that caused water damage, bacterial growth, salt formation, and, more recently, the moisture of visitors' breathing. In 1986, a process to restore all the paintings inside the tomb was replaced by more than 3,000 years worth of dust and soot with paper pasted on fragile walls and ceilings to preserve and embarked upon by the Egyptian Antiquities Authority and the Getty Institute. The restoration began in 1988 and ended on April 1992. Upon completion of the restoration work, the Egyptian authorities issued a decree severely restricting public access to the cemetery in order to preserve the precious paintings inside it. Five years later, Egyptian Prime Minister Hisham Zazao announced the reopening of the cemetery to visitors, 150 visitors at a time. In 2006, the cemetery was again restricted to visitors, except for private tours of no more than 20 people on the purchase of a license of $ 3,000. As of November 2017, holders of a LE 1000 or Luxor card can visit this cemetery. To this day, the Getty Conservatory regularly monitors the tomb.

Article Source: https://en.wikipedia.org/wiki/Nefertari

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